Wednesday, June 9, 2010
1. Why are not you returned home to record what Serge Morattel "Ausserwelt? The result was pretty incredible North ...
Mathieu: I was not even in the group at the time of the North but I agree with you, Morattel has really done an amazing job on this album. It was really successful to capture the coldness and intensity of the abrasive band. However, choosing not to return due to my senses by several factors. The first, more prosaically, is simply a question of money. Saving Ausserwelt would need much more time and we could not afford to give us that. He would have had to spend a lot of preparation time to learn how to manage living with these two batteries and three guitars and a week never enough ... Most importantly, there was the desire to test a new approach to sound: we wanted something more organic, more alive, more hot ... almost "analog" in fact. With Cyril Gachet, our sound engineer, he has even been talk of recording the album on tape, as in the 70's but it has unfortunately not been able to do this stuff is very difficult to find today. We nevertheless decided very quickly to work with Cyril since it is now part of the group, he will sculpt our sound on stage and we have full confidence in his job. With him, it has been pre-produced disc, thinking about how best to optimize the final recording. This choice gave us the possibility to extend the recording sessions and mixing in several places and over very long time: 5 months is a luxury that few groups can afford. And this type produces its own machines as diagrams of stuff dating back thirty years, the stuff that today's digital gear can match our taste. We had in mind a lot of bands and records of the psychedelic era, we wanted to return to this aesthetic "progressive" without losing side prod 'massive current. I think that the result exceeds our expectations: his job is remarkable in every way. Frankly, we can not really say it sounds DIY, right?
-Shiran 
: With Cyril is much simpler now and then we walk hand in hand so to speak. It really is the seventh member of the group. It makes music, it makes the sound. Since it deals with our sound in concert and he knows how it should sound, it makes sense to continue this work with him in the studio. And then we must say that it is also a great musician who has put a fresh ear on our ideas and has even proposed a few ideas found on the disk. To me the sound of "Ausserwelt" not be ashamed to face the "North". I think that eventually if Cyril continues like this, not many people will call him.
: With Cyril is much simpler now and then we walk hand in hand so to speak. It really is the seventh member of the group. It makes music, it makes the sound. Since it deals with our sound in concert and he knows how it should sound, it makes sense to continue this work with him in the studio. And then we must say that it is also a great musician who has put a fresh ear on our ideas and has even proposed a few ideas found on the disk. To me the sound of "Ausserwelt" not be ashamed to face the "North". I think that eventually if Cyril continues like this, not many people will call him. 
2. I was whispered to Scott Kelly, himself, had offered to put the vocals on this album. What is it? Why it did not finally materialize? You have been proposals from Neurot?
-Johan : One moment it was proposed to use different people to do some voices but Scott Kelly has never proposed. And no Kristin Von Till we have not contacted them as we do not have sent the disc!
2.1. We just stop dead the release of a new and improbable rumor ... so be it. Except Neurot So, you sent the disc to which labels?
3. The idea of playing with two batteries, was originally to spice up the logistics of the group? How did you get the idea of establishing a real orchestra, especially with the coming of Shiran (Monarch!)? Kylesa was, consciously or not, influence you? I miserai a little less, knowing you, on a form Cult of Luna ... whatever, you never know.
Peter
Mathieu
: When choosing this new line-up, apart from Kylesa and The Melvins, we knew not many bands Heavy to two batteries. Today, it happens that people say they did it to follow a fashion, the hype ... Completely stupid. It was left to do music more psychedelic, more shamanic percussion and is a major factor of this aesthetic. We wanted to move from being a group with that orchestra, so it was pretty obvious as an approach. And then when you listen Kylesa and The Melvins, plans Batteries are exactly identical, a perfect symmetry, one side "Rican perfection" to which it was not designed at all. We wanted the batteries interact, they respond, or they fall into two groups as if literally played together for a coherent result in the end. That's what we did in those passages where interlocking rhythm doom and blast-beats. And then there is French and one side "broken arms" quite refreshing compared to millimétrage Rican. Basically, they are used more in the optical "Do Make Say Think," except that is rock, not jazz. Nevertheless, it is currently considering other devices to make this use more relevant, more adventurous. Two batteries is a major bonus, you can enter the world of polyrhythms, and music is a psychedelic playground super exciting. It requires two times more work per cons, and it is a way to deal fairly schizophrenic. -
: Arghhhh I can Kylesa more! eh eh! Well there are really nice but I do not like their music. This is not the first to play with two batteries. I think the Boredoms, Miles Davis, Voodoo muzak with the album "Mambient" Lisabö to a beautiful Basque group or even a whole bunch of group psyche of the 70's. Even Lynirds Skynirds is played with two batteries so good, it's not new. On the first recording of Monarch (which was never released) it was even recorded two batteries on certain passages. For me it is an idea as natural as playing with two guitarists and playing with two different amps, it brings a more flattering stereo. Even when the drummers play the same patern is super cute (see the Melvins). But beware the formation of Year of no light is 6 musicians with a potential of two drummers Keyboards and two more. There is a difference, we have two batsmen who can also play other instruments and know the harmony then there are sometimes two batteries simultaneously and sometimes just one.
-Johan : No better! If you want names for me that would be the Jarboe tour with 2 batteries which repeated inheritance or as Swans Voodoo muzak (the first group to have me fooled with 2 batteries). The concept of integrating additional members was to have more space. You may turn to the instruments, Jerome is even talking of the recent battery during a performance. While the two drummers were synth ... And this configuration is only temporary because I think we were pressed for time but basically we wanted to do something even more ambitious with percussion orchestra, more machines ...
4. Julien you miss it? RIP challenged me in your biography: I hope nothing serious? He has recently arrived tinkering?
Peter
: Lol, did you check his twitter?
-Johan: No! It was more motivated and he left himself. That's it.
4 and three tenths. Shiran precisely revealed to me in an interview for Monarch!, The first singer was Yonli Jerome: he might réendosse this role in the near future? Or Yonli instrumental version could well become permanent?
-Shiran : It does not fix on anything, it goes where it wants to go, if we feel that we need good song and we will endeavor to find the right person. Anyway it is fine for the moment with this instrumental. We still have a lot of paths to explore.
Jerome : all options are possible but if you took Julian to the time of is that no one could guarantee a song that makes sense in the group. There are many interesting things to do with voices, the Beach Boys Doom:) but it is unnecessary to veteran singer in the group, one might be tempted songs ethereal and rather monotonous for the next disc, sort of Spaceman 3 Doom ...
Returning to Julien, the problem that is that it no longer came in rehearsal because he was convinced that Bertrand was a kind of ape-like creature and venal that wanted his ass, an idea that the past badtrip obsessed with LSD Chinese. Pierre put RIP on the bio, I think it should refer to the brains of Julian, rather than 'at the whole person.
: Brief. Julian was a great frontman, put it should not be forgotten that the original was 100% instrumental Yonli. I think we finally reached our original intention of the finger. The current formula is perfect for me, after the action field is not removed so prohibitive. -Johan: We redid some tests last year with Jerome and Shiran but also walked the pieces really speechless. So we stayed like that. Year of no light from the beginning has always alternated between periods of instrumental / sung (1st year instrumental and Jerome singing, then re-instrumental, and Julian and then today ...). We have always used the voice as an instrument so it is possible that there is again in the future but nothing sure.
5. You had said during our last interview in Brussels in 2007 that you prefer, already at the time, by far one Xasthur that Isis. And I feel that this (almost?) new black scene, with bands like Wolves In The Throne Room, Altar of Plagues, Krallice, Nachtmystium, Cobalt, etc.. has had some influence on the composition of your new songs. You also see it as well? What meaning do you have on these groups and the interest they arouse certain and growing? Mathieu
: Personally, the influence of Black Metal was in my teens. Around 15-16 years, 94-95, I listened only to the Black and Doom, to Burzum Mayhem through Satyricon, Emperor, Immortal Thergothon, Ulver, Katatonia first ... To 20 pins, I discovered the "pop" (which encompasses the whole field of popular music from 60's to 90's, Beatles Tortoise, through Kraftwerk) and the growing number of crap that polluted the market extreme metal a fact that I am totally disinterested. When, 4-5 years ago, I realized that a new scene and Black Doom loomed, I just hallucinating ... It became a trendy thing then that my time should really be a loser or an outcast to listen to stuff like that ... And then I listened to that stuff, Wolves In The Throne Room, Altar of Plagues, and I recognize that many of these guys brought back the black metal at one of its fundamental most relevant: that of psychedelia, with songs super long and repetitive, pushing trance. I really like this approach and this is it also follows that with Yonli, the origins in fact. For cons, the fact that hardcore trying to appropriate when there is no more ontologically opposed that these movements, that they would claim to follow fashion as they spat top ten pins, it makes me a little pain in the ass. And I'm not talking about a current that mixes the Black-Metal with the variety 'tasteless gender-Kyo meets Burzum because that there is more laughable than anything else.
-Shiran
: As you listen Mathieu said all of Black Metal for a long time so it's a logical influence. And as he rightly said that groups such as Wolves or Altars is a fresh approach that brings something new to the scene. And even beyond. I can not stand the modern Black Metal bands who play super fast. I like my black metal slow, like when the blast beat speed but does not mention the more trance. I do not like black metal ultra brutal and violent with the double blast beat, it's shameful!
Peter
: Shiran was right: modern shit! As others have mentioned, much of Yonli has always listened to the WB and Doom, but not obviously be confined to only these styles. Personally, Bathory remains for me a source of inspiration, along qu'Emperor and Ulver. For the current period, I have great respect for the Danish scene, with bands like Saturnus, Angantyr, Make A Change Kill Yourself. Moreover, a significant portion of our audience comes from this scene, which we rather made hallucinating at first. Of course, we do not we demand of these movements but it is true that we feel close to a certain psyche to own some form of BM or funeral doom, where the succession of riffs and drum patterns lead to shamanic insight and poisonous. Where the depths of spirituality and finally take precedence over the hordes of Mongolian hats with tattooed like animals. It's also quite amusing to see hordes of COREUX try to apprehend and recover a motion on which there is little spat and was quick to overcome their poor neuronal resources. It was the inner life we deserve.
5 and a half. Yonli has considerably clouded, to my ears, with four new songs, at least, far more than your "old" period. It is linked to increasing consumption of various drugs over the past four years?
Peter: It is mainly related to the miserable time in which we are all crawling and a significant increase in my reading. However, when you have an open fracture of the tibia, are you glad that injects morphine. For the soul is the same. It is an ontological given with which we face. No pride in there but the pain requires regular tithe. After, must be the last of Voltaire assholes for not realizing that the sensitivity that surrounds us has to be investigated in ways that are as old as mankind. You can also get the same feeling if you know you use your brain. It's also cheaper and more rewarding. Anyway, it's a state of grace that pays cash. Fuck the dope festive.
Jerome : Drugs, it's part of the history of mankind and each civilization has its drug, the painful thing is that with modern drug quality suffers the same degradation as does any product consumption and is also difficult to find good drugs that good guitars for example.
After taking all drugs that may be a rotten choice, it Crame brain and it makes a bit dumb but at least it makes the guys laugh ...
For my part, I am rather transcendental meditation as David Lynch, I like the idea that the creative abilities of the brain may work, it's been great but I think cheper in fact it's something any idiot, full of civilization there who develop such practices. In fact I never took a drug in a context of creation but rather with the guys on tour who 's there know better than me and make good shamans of kidding. Otherwise I like the idea of smoking weed fat bastard, or that you can catch smoke with your fingers is so thick, to lay big riffs and crawling with Johan and Cyrille is believed to psychotropic qualities Scotch whiskey which ultimately was the true cam album ...
Mathieu: I think I was hired into the group to ensure a fair balance between healthy people and drug addicts ... Seriously, I do believe that the use of certain substances allows us to deliver both good stuff, from "tripper" what, to play the Babos. It also allows us to make plans and take them forward much longer than if it was totally clean ... Finally, for some of us, because only half-Yonli touches almost nothing. I think their brains secrete enough psychotropic substances on their own. The rest of us just trying to get at.
-Shiran
: What I find sufficient basis in the spin Yonli music so I'm just kinders milk and Club Mate.
Peter: This guy is totally creepy ... I want to be like him later !!!!!!
-Johan: And he eats the pistils of honeysuckle! But no joke I do not think it is related because we are all 'clean' as in the past. And we had this kind of goal in environments from the beginning of the group but it is just slow to develop and to find good recipes. And as Jerome said for this album was the real catalyst Scotch Whisky (Islay rules) opposed to the North (where the grass was more Swiss Alps).
5.72. In fact, looking back ... I think it's mostly from your Live At Roadburn I started to tell me that you are moving towards something much more psyche, especially in the sound of the distortion. You think that collaboration with Fear Falls Burning prompted you to take this new "facet" of Yonli?
Peter: I do not know ... To some extent I am inclined to say yes, even if it is a thing we envy in mind for a while, move to something more "hazy drone funeral." This collaboration / improvisation live with Dirk is a great moment, moreover, is an artist that we all respect very much. A kind of epiphany ... what tantric
-Johan: It's really something that we wanted to do since the beginning but we could never achieve because of time. I was doing music with Dirk mail last year when we offered to play the Roadburn. We all said that for the occasion do something special would be a good idea, and naturally we thought to put that Dirk implemented. We started to work on that mail piece (which was released on 12''at Music Fear Satan) to interpret live on the evening of Roadburn. Since the group's lineup has changed a bit and it just evolved naturally ...
5.73. What are your memories of this experience Roadburn? How have you found this 2008 poster?
-Johan: I gave a CD of North in 2007 from Walter the festival. We were contacted during the summer for us to play and it just evolved. The memories? Last date for a tour, lots of friends in the room full of huge groups (including Wolves In The Throne Room, with whom we were shooting the following year), a small shielded room with a backline of crazy for her and Dante a late night ... epic
Peter
: From sweat, grass, great stuff on stage, huge groups, hallucinogenic mushrooms, and to finish off a blitzkrieg of the canine unit the stupa during the journey to the hotel. Besides the horrible horrible of Emphasis Batavian Dutch Condés oddly mustached while you're down in the middle ... But hey, I could save my remaining fields.
5.74. Still on the Roadburn, especially the live recording that has followed. I love you, you know. But damn, even I was surprised by this release: with all the legends that pass through this festival every year, why you? How is it that the guys from Burning World Records have decided to live out your?
Peter: I think it was as surprised as you instantly! Especially in general, it is not really connected live album ...
-Johan : All events are recorded in the Roadburn multitrack. Since this concert was almost the last in this line up, there was this final with Dirk, 3 buddies with their cameras (Manu, Thierry Skidz and Charly) and this recording, we thought it was quite a mix for the the exit at the base of the bonus cd reissue of the north (which is still not out). When I talked to Jurgen (who manages the Roadburn with Walter and Burning World Records) to retrieve the tapes, he told me about this project LP + DVD of live performances from Roadburn and so he wanted to leave!
May 3 quarters. The fact that the output of pieces composed with your old line-up (on different splits / media) is more representative of the new vintage Yonli was seen as a concern? They were slow to disclose to you the face of this world "Ausserwelt" to show what it's like Yonli 2010 version? Jerome
's true that the late release of Songs for the split has caused disorder in a lot of people and all these releases almost coincide with the release of new album is really different from all those old songs. To summarize, I would say that the last three songs with the old line-up that were released on compilations and split corresponding to a time when the group, for various reasons, was a bit of limit and where the dynamics of creation was a bit broken from that of "north" where the pieces have been refined over a long period and where all members of the groups were more cohesive. It is true that when we saw that the output these splits took a long overdue and could mix with the new album we were really worried about the complete misunderstanding that it might generate. For what is to Ausserwelt, we were all anxious to leave because it is simply the first album by a young group and a transition album for the "old".
-Johan: Exactly! For these pieces we have 3 years were recorded 2 years ago ... We wanted them out because it would have been stupid not to do is just unfortunate that it took so long. And of course it was not easy to defend when the various outputs as they are found to rotate with the new line up with the songs of 'ausserwelt', we were moved on. For the cons really positive side is that these recordings were the first with Cyril and this allowed us to make us a little hand and prepare the ground for recording Ausserwelt. After it was clear that there was more than eager to go out 'Ausserwelt' and tour the new line-up because it was really our news.
6. How have you found in prestigious Conspiracy? Why not repeat collaboration Atropine / Radar Swarm?
-Johan : Conspiracy are people I have known since 1998 and we particularly appreciate. It's rare that kind of friendship or you will cross a few times a year on the road or at festivals or concerts that you organize and you know you're always on the same wavelength. We were about the size the same way in recent years and when Joris & Dave suggested we get him out was incredible because it was not really a label that we had thought. lp version is always on Music Fear Satan and I guarantee you there's nothing worse than releasing an album of his own band on his label! It's really better when people care for them more seriously.
7. Still on this Ausserwelt, we offer you is one of the most beautiful covers of 2010. Bravo, sincerely! You can tell us a little more? If this island is beautiful and good, it will be mine.
-Mathieu: It is sort of reinterpretation of the "Island of the dead" Böcklin, Black Metal version. It is an island paradox, both narrow and deep (you can put the interpretations that you want ...) It refers to both terrestrial mysteries that the nebulosity of the unconscious ...
8. You think the reissue on Crucial Blast North of you has breathed new life? You've seen differences Notable your "reputation" through this signature?
-Johan : Obviously Crucial Blast has given us a lot especially for recognition abroad. We had a lot of press, offers concerts and festivals in stride. We can not thank enough Adam for everything he has done for us.
8.3. It seems to me that this was already happening and, obviously, it did not materialize. Are you planning to tour the U.S., now that you are distributed? Johan told me about a tour in autumn. You have more info? You would like to share the stage with what group?
Mathieu
: All this is being done but we really going to turn up there, it would be really great.
9. We spoke earlier of the Roadburn Festival, whose fame has become indisputable. Now you also participated in another festival recently, a festival which, in turn, is driven to build a growing reputation, namely Asymmetry Fest in Poland. What (s) memory (s) do you keep from this experience? It is a festival that you will advise?
Peter : Clearly!! It was an amazing evening with a prog both open and consistent. It was terrible to play on the same stage as Secret Chiefs 3, booze (too?) With Altar of Plagues and smoking joints with DarkCastle ... Kylesa and then find themselves nose to nose with Time to Burn an hour already very late at night, even more devastated than us. Unlike what can happen sometimes with us, the public is curious, respectful, attentive and hyper involved. The place is deadly, beer and crazy Lensers perfect. The only trick is to try to stay a minimum clear if you want to find your hotel in less than three hours given the non-Euclidean architecture numbering Polish streets.
Mathieu : A background ... The atmosphere between the groups was insane, really caring. The organ is also great, despite a willingness of the technical team who basically wants to do well but did not really experience imponderables of wills of each group ... Otherwise, it is happiness, both pro and fresh, an excellent memory.
-Johan: I can only recommend it. Poland is already a great city (the center is really to see). Life in Poland is really as cheap as elsewhere in Europe so level hotel / restaurant / bar you'll be a winner. The festival hall is small but suddenly it's super warm. The public is really applicant.
10. More generally, how did the tour with Altar of Plagues? Anecdotes, perhaps compromising to tell us about? You've heard their new EP? And a split with Yonli may well see the day in September 2010? Peter
: A treat! And a poster that was complemented quite well I think. They are unbeatable for the booze but they put the level frigged flavor. They are incredible musicians, and I think we are good friends now. The concern with compromising stories is that they involve us in so much as how ... say ... we stay there? Unfortunately, I think some videos and photos should rot in some hard drives. Otherwise, "" Bistouflex ", it tells you something?
Mathieu
: Awesome. These guys are great, we were really on the same wavelength. We had some crazy moments as a night-trance gangsta-dupstep not trivial and a competition table tennis class ... There were also things with cocks, but you can not really say more, except that the pupa unveiled a new space between machismo and poetry.
-Johan : Some very good guys! I just highlighted their debut EP is doing well and a split lp Yonli / PDO at the beginning. The 2 songs are recorded, missing only the voice on the PDO and the master. But this will be done quickly because they enslave the recording of their album for Candlelight this summer.
19. You, too, a party (which seems rare) looming for May 28 To those who will attend, what should they expect? Like a Amenra or Ulver, to name a few, you want more to play in unusual venues, such as theaters for example?
Peter: You're supposed to submit an original creation with the release of the film "Vampryr" (1932) TC Dreyer. There's still some chance that one plant. Gulp. For brevity, it is moving towards a trip with lots of reverb, Moog, drone-lab, synths, spleen and Orange amps. Iterative regressive music altogether.
Mathieu
: Churches are places for the moment we most want to invest ... As for the 28, we will try to be quite unconsciously at the height of Dreyer's masterpiece. It could unleash our penchant film without limit other than the persistent feeling inspired by time and motion sequences, and that's a real pleasure. The film also joined quite a design that was our music, including both linear and at the same time poetic incursions based on abstract and evocative visions. And then it's a real movie spiritual, transcendental, which is a bit soul of our sound.
20. Joy Division, Tantrum and The Cure. You have already risked successfully in the perilous exercise of return! Do you find it difficult to find a compromise between your world and the universe very well with these artists? Other times may see the day soon?
- Peter: Uh, actually it never regained Tantrum (note: they do not know yet
). For the covers of Joy and treatments, it happened very naturally, almost by accident. No plans to do so now.
25. In reading your answers, I was wondering if at any chance you'd receptive to critical ideas vis-à-vis the industrial society (ie, in a sense of modernity), ideas that can be found for example in a Ellul, Semprun, Bodinat, etc..?
Peter: It is clear that the reflections of J. Ellul on the technique I speak strongly. As for my report "painful" with modernity and Nazism-pop which is consubstantial, what can I do if I prefer Leon Bloy, JK Huysmans, Joseph de Maistre, St. Thomas, Deleuze and Foucault to Voltaire , Prévert and Telerama?
-Mathieu: Well, we will not make you an essay, but I think that is fairly representative of our time. And it's not so much the industrial society, which for me was fully realized in Auschwitz, that the consumer society that replaced it then that the information flow, blurring the absolute ideologies, post- modernism, which is a real scourge, which tends to sarcasm and who cares Standing on a par with the Holocaust's new album Diam's ... Personally, my awareness has occurred in reading the "Test of poisoning voluntary "Peter Sloterdijk and that of" Society of the Spectacle Debord. All my liabilities as a child of the Enlightenment that shaped me to school was struck on reading thinkers and philosophers who questioned the positivism and the ideology of progress: Schopenhauer, Cioran, Baudrillard, Sade, Debord, Kraus, Bourdieu ... there are too many. And my example is somewhat typical of the French mentality, torn between this dual legacy: the utopian 17th-pragmatic and lucid analytic-pessimistic naturalism of the 19th. This explains the huge guys like Houellebecq resonance today and it creates a people with schizophrenia but not bipolar ... so it's no coincidence that we are the champions level anti-anxiety drugs and antidepressants. It seems to me that the group was a reactionary side, we're not smug or leftist ideologues in a cap. We're just back to being assured that fundamental values of our time make man unhappy. The fundamental factor is that of transcendence tends to be suppressed so that a priori one should worry that it exactly as in the current philosophy which is primarily concerned with pragmatism as she should think that metaphysics ... In short, we're sailing blithely into the paradoxes, we have a geek side, one side Babos, a traditional side, one side punk, one side "believing" ... whatever it takes to appear marginal in today's world.
666. Pierre seemed to start interviewing some criticism, no pun intended, to music criticism today. What are your views on the media, including webzines, which bloom in recent years?
Peter: I'll still look like a fool is arrogant. Following is not a scoop is that the music press almost burst and that it must complete, at least in France and mainly newspapers. It do not mean that there is not some good writers but why the hell the evening, "I sometimes feel, in this fucking country shit, make the office at the sight of the rickety prose morbidly secreted by trainload of welfare recipients cortex? rock criticism, it should be the last of lebensraum aristocrats. Today it is a brothel Small Kapos egotistic.
-Mathieu: It is undoubtedly part of a system that would be good to destroy or completely reformed ... For webzines, it makes me think that Bourdieu said the unconscious acceptance of power and the prevailing thought among journalists ... You have an opportunity here to deviate from the norm and you find yourself with a carbon copy of what is established. Moreover, as Pierre said, although egocentric aberration of our times. Maybe blogging will bring out interesting personalities but for the moment is Instead, the dark side that prevails ... There is still a good side prescribers with sites like "Mutant Sounds" or "Alain Finkielkrautrock" who unearth obscure but good stuff ... conditioners
666, 6. You seem to identify your website all the columns written on your outings. You attach great importance to these returns?
-Johan: Yes. After our great architect Bertrand computer and we've established this website and this system very convenient for any archive. So why not use it.
666.66. Johan, what is it currently Radar Swarm? I learned that Omega Massif was present in Denovali: you have enough time to devote to your label?
-Johan
: Omega Massif Then it happened something rather weird between me and Denovali. The pressing was re-scheduled co-producer but we failed to hear us. It's pretty weird because for the first time a plan like that happens. So, it was clearly felt that nothing would happen to all 3 and my favorite drop instead of embarking in a galley. After I have a little less time to devote to the label as family life and Year of no light I take more time and mostly I feel like taking time out of different stuff.
Last winter I took the 7''Karysun / Year of no light, after the 2 2LP Rosetta. Now I just go out 'Sol' Altar of Plagues Cd in late June or early July there 's the split LP Expo70 / Altair temple (duet in which I play keyboards and computer), after this summer Altar of Plagues split LP / Year of no light. After we'll nothing concrete, there's disks Sunshine Parker provided a book + cdr n'embête not dead (a project to the nuts that I do with Llcooljo) disks Lakeside (cdr & cdv) ...
. Caedes
CHRONIC
YEAR OF NO LIGHT NORTH (2006)
YEAR OF NO LIGHT - AUSSERWELT (2010)
KNUT / Yonli - LAUSANNE (2008)
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